7cb1d79195 Bhaktawar is a criminal mastermind, and his most active territory is the dockyard. He constantly gets irritated by the dockyard's union leader, Tiger, and only tolerates him, because Tiger's dad is his bodyguard. During a confrontation between Tiger and Bhaktawar, Bhaktawar is reportedly killed, and Tiger has to run for his life, this time from the police, even abandoning his love Jumalina Gonsalves. Years later, Tiger surfaces as a bespectacled mild-mannered man, with two younger brothers, one of whom is a police inspector. Soon the past catches up with Tiger (or Shekhar as he calls himself now), and he must now come to terms with it, and avoid being arrested by his brother. A wealthy and cruel businessman, Bhaktawar lord over a dockyard making all the workers his slaves. All the workers will work but no one will entail a salary, the union leader Tiger opposes this and protests and is eventually silenced by Bhaktawar. Tiger is unable to take any drastic step against Bhaktawar because Pratab, Tiger's dad is Bhaktawar bodyguard. Taking advantage of Tiger weakness, Bhaktawar eventually murder Pratab publicly thus enraged Tiger who eventually murder Bhaktawar, setting the dockyard on fire and escape from the police. Years later Tiger is now known as Shekhar, a respected man with two brothers Kumar and Vijay. Tiger must now ensure that his past life is buried and ensnared a bright future for his two brothers. HUM or "US"redefined the notion of entertainment in indian cinema by introducing sophisticated use of camera framing and an exploration of the use of irony in the guise of farce .Most villains in Mukul Anand's films are caricatures and in this respect "HUM" introduces this specificity in this talented director's cinema. The rhythmic song and dance number "JOOMA CHUMMA DE DE "got packed houses dancing literally from India to USA.This film also brought to a cinema art et essai director his first feeling of what a popular film director's reputation meant . I've stopped watching Hindi movies now because they are all formulaic and all of the stars lack charisma. Here today, gone tomorrow, they never invoke the all-around genius of former actors such as Amitabh Bachchan, Rajesh Khanna, and Dev Anand. This has been to date, Amitabh's last great role, and it is in a great movie. Although there are the inevitable sappy moments of today's movies, the acting is brilliant, the premise, although recycled, is recycled well. It is without a doubt, one of the greatest Indian films of the last 15 years.
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